Russeth, Andrew. “Artist Shubigi Rao: ‘This rage is an incredibly powerful force’.” Financial Times, March 17, 2023.
Hsu, Fiona Yu-Lun. “Field Notes: Shubigi Rao, “Pulp III: A Short Biography of the Banished Book,” Singapore Pavilion, 59th Venice Biennale.” Art & Education, November 2022.
Chua, Joel. “Meet Shubigi Rao, the first solo woman artist to represent Singapore at the Venice Biennale 2022”, Robb Report, June 29, 2022.
Nair, Shraddha. “STIRing Dreams: Shubigi Rao represents at the Singapore Pavilion with a book and film.” STIRworld, May 28, 2022.
Toh, Wen Li. “Venice Biennale: Shubigi Rao’s Pulp III exhibition contains multitudes.” The Straits Times, May 23, 2022.
Interview with Shubigi Rao, CNA938 Singapore Today, May 20, 2022, audio, 9:28.
Tsui, Enid. “Venice Biennale 2022: the 7 most interesting highlights from Asian pavilions at the international art exhibition.” South China Morning Post, May 5, 2022.
Chu, Chloe. “Shubigi Rao: Stories of Creation and Destruction.” ArtAsiaPacific, May 1, 2022.
Yusof, Helmi. “The 12 best country pavilions at Venice Biennale.” The Business Times, April 28, 2022.
Toh, Wen Li. “Venice Biennale Arts 2022: Shubigi Rao’s Pulp takes centre stage at Singapore pavilion.” The Straits Times, April 26, 2022, video, 5:30.
Dozier, Ayanna. “The 10 Best National Pavilions at the Venice Biennale 2022.” Artsy, April 25, 2022.
Eastham, Ben. “59th Venice Biennale, The National Pavilions.” art-agenda, April 23, 2022.
“Singapore pavilion at Venice biennale showcases Shubigi Rao’s Pulp III.” Inside Recent, April 23, 2022.
“Arts & Culture: Singapore Pavilion at the 59th International Art Exhibition of La Biennale di Venezia.” adobo magazine, April 22, 2022.
Luke, Ben, Louisa Buck, and Jane Morris. “The Week in Art: Venice Biennale special: four artist interviews, main show and a Bellini masterpiece.” The Art Newspaper, podcast audio, April 22, 2022.
Toh, Wen Li. “Inside the Singapore pavilion at Venice Biennale.” The Straits Times, April 22, 2022.
Toh, Wen Li. “Rao displays Pulp at Venice Biennale.” Tamil Murasu, April 22, 2022.
“Venice Biennale: Singapore spotlight.” The Business Times, April 21, 2022.
Toh, Wen Li. “Pulp Friction.” The Straits Times, April 21, 2022.
Toh, Wen Li. “Artist Shubigi Rao’s Pulp to take centre stage at Venice Biennale’s Singapore pavilion” The Straits Times, April 20, 2022.
Luke, Ben. “The best of the Venice Biennale: our critics’ review.” The Art Newspaper, April 20, 2022.
Yusof, Helmi. “In Venice, minimalist Singapore show speaks volumes.” The Business Times, April 20, 2022.
Fisher, Paul. “Singapore Pavilion to unveil Shubigi Rao’s Pulp III exhibition at Venice Biennale 2022.” The A List, April 19, 2022.
Chia, Adeline. “Horror and Hope: Shubigi Rao Documents the History of Book Destruction.” ArtReview, April 13, 2022.
Sutton, Kate. “Pulp Fiction: Kate Sutton on Shubigi Rao and her work at the 59th Venice Biennale.” Artforum International, April 1, 2022.
Thomas, Skye Arundhati. “4 Artists to watch 2022: Unwriting history’s binaries to reveal how institutional knowledge is made and kept. Shubigi Rao.” Frieze Magazine, No.226, April 2022.
Hashimi, Hashirin Nurin. “Printed Matter.” Tatler Singapore, April, 2022.
Solari, Mattia. “Pulp III: A Short Biography of the Banished Book.” Exibart, April 2022.
Chia, Adeline. “What’s in a book?” ArtReview Asia, Spring 2022.
“‘I Think of Reading as Hallucinating Time’: Shubigi Rao on the Power of Books.” ArtReview, March 28, 2022.
“Artist Shubigi Rao’s Pulp III Explores the Book as a Vehicle for Resistance and Redemption.” ArtNews, March 24, 2022.
“Artist Shubigi Rao’s Pulp III Explores the Book as a Vehicle for Resistance and Redemption.” Flash News 11, March 24, 2022.
Moldan, Tessa. “Shubigi Rao Maps Linguistic Diversity at the Venice Biennale.” Ocula, March 10, 2022.
Lu, Yawen. “An all female team leads the 10th Singapore Pavilion at Venice Biennale 2022.” The Peak Magazine, February 24, 2022.
“Singapore pavilion explores disappearing cultures, book’s humanist soul.” The Daily Tribune, February 15, 2022.
“Shubigi Rao: Pulp III: A Short Biography of the Banished Book.” e-flux Announcement, January 30, 2022.
“Women-led artist-curator team to represent Singapore at Venice Biennale.” CNA Singapore Tonight, January 28, 2022.
“And yet the margins are where the underclass can thrive.” Manila Bulletin Online, January 22, 2022.
“Arts & Culture: Pulp III: A Short Biography of the Banished Book; Shubigi Rao in collaboration with curator Ute Meta Bauer.” Adobo Magazine, January 19, 2022.
Toh, Wen Li. “Singapore’s Venice Biennale exhibition features pulpy paper maze.” The Straits Times, January 19, 2022.
Kale, Neha. “Author and artist Shubigi Rao.” The Saturday Paper, Nov 26, 2022.
Teo, Elaine T. M. “A Conversation with Shubigi Rao and Ute Meta Bauer.” ArtSG, Sept 24, 2021.
Yusof, Helmi. “Singapore’s Printed World Heads For Venice Biennale 2022.” Female, August 12, 2021.
Yusof, Helmi. “Singapore’s printed world goes to Venice.” The Business Times, August 6, 2021.
Gaskin, Sam. “Shubigi Rao Will Represent Singapore at Venice Biennale in 2022.” Ocula Magazine, July 27, 2021.
Sim, Suining. “Singapore Sends First All-Women Creative Team to Venice Biennale.” ArtAsiaPacific, July 26, 2022.
“Multidisciplinary artist Shubigi Rao and curator Ute Meta Bauer to represent Singapore at the 59th International Venice Biennale.” e-flux Announcements, July 26, 2022.
Ingrasciotta, Carla. “Shubigi Rao and Ute Meta Bauer to represent Singapore at the 59th Venice Biennale.” MyArtGuides, July 26, 2022.
“Shubigi Rao to represent Singapore at the Venice Biennale.” ArtReview, July 26, 2022.
Toh, Wen Li. “All-female art team to represent Singapore.” The Straits Times, July 26, 2021.
Toh, Wen Li. “Singapore sends first female artist-curator team to Venice Biennale.” The Straits Times, July 26, 2021.March 17,